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By Sarah Copland In the late 2010s, while teaching first-year writing amidst widespread media attention to the singular “they,” I wondered what and where my students had already learned about this gender-inclusive pronoun. And so my SoTL study was born: …
By Rhia Moreno, Kate Hobgood Guthrie, Katie Strickland As three educators teaching in diverse spaces (an assistant professor from a public university, an assistant professor from a private university, and a public elementary school teacher), this reflective narrative highlights our …
By Faye Halpern The immediate occasion for “The Morphology of the SoTL Article” was my curiosity about why, when I listen to many people in a row give talks about teaching and learning, I often feel dispirited. It was perplexing …
By Kiruthika RAGUPATHI, Zi Hui YEO, Hui Chieh LOYNational University of Singapore In this blog post, we reflect on what led us to embark on this SoTL project, why we care about this work, and what we want others to …
At our annual meeting at ISSOTL18 in Bergen, Norway (Oct 27), we brainstormed some characteristics of SoTL that would feel authentic or welcoming to artists and humanists. See the list here.
During an ISSOTL11 roundtable in Milwaukee (the day after the HU IG meeting), a few Interest Group members agreed to create a bibliography of models of SoTL work in the humanities.* At ISSOTL12, they presented this work. * This conversation predated …
by Virginia B. Spivey, Michelle Millar Fisher, and Renee McGarry on behalf of AHTR; Queries should be addressed to info@arthistorypp.org Last year, Art History Teaching Resources (AHTR), a peer-populated open educational resource, began research and development on Art History Pedagogy and Practice (AHPP), a …
By Beth Marquis, McMaster University, Canada (this blog appears courtesy of Beth and SoTL Canada, for whom the blog was written this month) In a previous post on the SoTL Canada website, Brad Wuetherick invited readers to join a ‘growing …
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